Although the people behind the classic Fensler Film GI Joe PSAs don't seem to be behind this, the spirit is just as bizarre. Thrill to the evils of income distribution — and dark people!
Seriously, I'm fuckin' dyin' here.
The official blog of notorious former African dictator Mobutu Sese Seko
The Palin Trig-gerThis editorial really speaks to my problems because — I gotta be honest — I'm aborting right now. I was gonna kick my girlfriend down the stairs for a quick "Irish miscarriage," but as pithy as it is, it's just not the same. Now, abortion: that's just something my folk do. It's seeped into the language of my daily life. For instance:
Looking behind the hostility.
By Kevin BurkeSome of the very personal and often uncharitable criticism of vice-presidential nominee Sarah Palin and her family may have a relationship to the collective grief, shame, and guilt from personal involvement in the abortion of an unborn child.
Seeing the Palin family, in a very visible public forum, with an uncompromising and public pro life philosophy arouses deeply repressed feelings in post abortive parents, as well as media members, counselors, health care professionals, politicians and others who promote abortion rights, especially the abortion of children with challenges such as Down Syndrome. These powerful repressed feelings of grief, guilt and shame can be deflected from the source of the wound (i.e., abortion) and projected onto an often uncharitable focus upon the trigger of these painful emotions…the Palin family.

I won't pretend K&B Drugstores went out of business due to a lack of reading selection, but I can't imagine that'd surprise anyone if you told them it was the cause. It was abysmal precisely because it managed to have things on the shelf that somehow weren't even there. If you were the sort of person who loved trash novels, you'd probably still put your hands on your hips, blow some hair out of your face and say, inwardly, "There isn't anything here!" Even now, nothing stands out. Not a single title. (Joshua 'I Was on Dawson's Creek' Jackson walks with his father and Anna 'ACTING? FEELINGS? WHAT ARE THESE HYOO-MAN WORDS YOU USE?' Torv toward a crime scene where an elevator drove through the ground.)
Joshua Jackson Starring as Johnny Exposition: [Expository stuff about elevators you can glean from watching the show's teaser.]
Elevator Tech Guy: You know your elevators.
Joshua Jackson Starring as Johnny Exposition: (indicating self) MIT Dropout.
• Lenny (Sigourney Weaver), a TV executive who wants to axe "the suicide thing" because "it's depressing" and whose near-death experience bestows on her the revelation that life is short and "we can win Thursday night!"• Zach Harper (Fran Kranz), a totally empty vessel of a male lead whose acting ranges from 1990s sitcom-snark MU-UH-UH-UGGING to bizarrely accented homicidal stage whispers à la Travis Bickle.• A director, Brian (Willie Garson), so bent on mining each establishing shot for its avant garde potential that characters don't even appear on screen and dialogue loops over tracking shots of, like, trash, man—an old dude pushing around his trash!• Alice (Judy Greer), Mike's mostly unsympathetic agent whose advice on almost any issue of creative control is to accede to the studio's suggestions.• Focus groups.
Far be it from me to insinuate that Reynolds is a terrible commentator because he cheats on his significant other, tries to fuck employees and seems to think that a restaurant where people can buy ham and mashed potatoes with gravy in a snapped-shut plastic carrier is the place to make the first move. That would be ridiculous, and honestly I couldn't give a damn who he has sex with. He's a terrible commentator because he's a fucking moron.[BJ Upton] is a great player. He is as good as anyone in this league.
Told by his best friend Yunior and his sister Lola, Oscar's story evokes instant familiarity, empathy and pity. You never see Oscar with a woman, not because he fears or disdains them but because he feels for them a breadth of love and reverence that overawes even so-called "pussy-hound" Yunior. Your minor setbacks are his wrenching agonies; his isolation comes not from feeling coldly but too well. Oscar is every high school kid you knew who never won because he tried too hard and tried too hard because he never won. Wound so tight that the only thing that can loosen him up is a love reciprocated, his tension is palpably off-putting to others. He can't relax enough and let love come to him, but only love could get him to relax.
As said, it was probably pretty good. But if you've any other positive frame of reference, it's also probable you took less delight in it than you'd have liked. As is the case with all Hiaasen books — even those he's written for young adults — Nature Girl entertains and provokes a few really good laughs. It only falls short in comparison to Hiaasen's earlier examples of the satiric-comic-Florida-environmental caper novel. In fact, part of the problem surely lies with the fact that Hiaasen's novels usually contain such similar characteristics that it's easy to see how they stack up against each other.